Sense and sensibility
(Book)
'Miss Dashwood had a delicate complexion, regular features, and a remarkably pretty figure. Marianne was still handsomer. Her form, though not so correct as her sister's ... was more striking' As the title of Jane Austen's first published novel suggests, the difference between two sisters, Elinor and Marianne Dashwood, lies not only in their appearance but also in their temperament. Yet Sense and Sensibility not only contrasts Elinor's good sense, her readiness to observe social forms and Marianne's impulsive candor, her warm but excessive sensibility; it also highlights their shared predicament in the face of a competitive marriage market. The sisters' parallel experience of love, and its threatened loss, causes both to readjust and question their own values. Jane Austen's satirical powers of observation and expression spare no one in this lively study of the constraints placed on gentry women in the eighteenth century. Ros Ballaster's introduction to this new Penguin Classics edition discusses Sense and Sensibility as domestic drama and as critique of the wider aesthetic, social and political concerns of Romanticism.
Level 8.4, 22 Points
Notes
Austen, J., & Ballaster, R. (1995). Sense and sensibility. New York, Penguin Books.
Chicago / Turabian - Author Date Citation (style guide)Austen, Jane, 1775-1817 and Rosalind. Ballaster. 1995. Sense and Sensibility. New York, Penguin Books.
Chicago / Turabian - Humanities Citation (style guide)Austen, Jane, 1775-1817 and Rosalind. Ballaster, Sense and Sensibility. New York, Penguin Books, 1995.
MLA Citation (style guide)Austen, Jane and Rosalind Ballaster. Sense and Sensibility. New York, Penguin Books, 1995.
Record Information
Last Sierra Extract Time | Mar 18, 2024 09:56:13 AM |
---|---|
Last File Modification Time | Mar 18, 2024 09:56:35 AM |
Last Grouped Work Modification Time | Mar 28, 2024 08:42:00 AM |
MARC Record
LEADER | 03792nam a2200577 a 4500 | ||
---|---|---|---|
001 | 34584162 | ||
003 | OCoLC | ||
005 | 19960415144329.9 | ||
008 | 960326s1995 nyu b 000 1 eng | ||
010 | |a 96129729 | ||
020 | |a 9780140434255 | ||
020 | |a 0140434259 | ||
035 | |z 96129729|b SUMM | ||
040 | |a DLC|b eng|c DLC | ||
043 | |a e-uk-en | ||
049 | |a COGM | ||
050 | 0 | 0 | |a PR4034|b .S4 1995b |
092 | 0 | 0 | |a AUS |
100 | 1 | |a Austen, Jane,|d 1775-1817.|0 https://id.loc.gov/authorities/names/n79032879 | |
245 | 1 | 0 | |a Sense and sensibility /|c Jane Austen ; edited with an introduction by Ros Ballaster. |
264 | 1 | |a New York :|b Penguin Books,|c 1995. | |
300 | |a xxix, 346 pages ;|c 20 cm. | ||
336 | |a text|b txt|2 rdacontent | ||
337 | |a unmediated|b n|2 rdamedia | ||
338 | |a volume|b nc|2 rdacarrier | ||
490 | 1 | |a Penguin classics | |
504 | |a Includes bibliographical references (page [xlviii]-li). | ||
505 | 0 | |a The Penguin Edition of the Novels of Jane Austen -- Sense and Sensibility -- List of Emendations to the Text -- Textual Variants between the First and Second Editions. | |
520 | |a 'Miss Dashwood had a delicate complexion, regular features, and a remarkably pretty figure. Marianne was still handsomer. Her form, though not so correct as her sister's ... was more striking' As the title of Jane Austen's first published novel suggests, the difference between two sisters, Elinor and Marianne Dashwood, lies not only in their appearance but also in their temperament. Yet Sense and Sensibility not only contrasts Elinor's good sense, her readiness to observe social forms and Marianne's impulsive candor, her warm but excessive sensibility; it also highlights their shared predicament in the face of a competitive marriage market. The sisters' parallel experience of love, and its threatened loss, causes both to readjust and question their own values. Jane Austen's satirical powers of observation and expression spare no one in this lively study of the constraints placed on gentry women in the eighteenth century. Ros Ballaster's introduction to this new Penguin Classics edition discusses Sense and Sensibility as domestic drama and as critique of the wider aesthetic, social and political concerns of Romanticism. | ||
650 | 0 | |a Young women|z England|v Fiction.|0 https://id.loc.gov/authorities/subjects/sh2008124372 | |
650 | 0 | |a Sisters|0 https://id.loc.gov/authorities/subjects/sh85123008|z England|0 https://id.loc.gov/authorities/names/n82068148-781|v Fiction.|0 https://id.loc.gov/authorities/subjects/sh99001562 | |
651 | 0 | |a England|x Social life and customs|y 19th century|v Fiction.|0 https://id.loc.gov/authorities/subjects/sh2008114941 | |
655 | 7 | |a Fiction.|2 lcgft|0 https://id.loc.gov/authorities/genreForms/gf2014026339 | |
700 | 1 | |a Ballaster, Rosalind.|0 https://id.loc.gov/authorities/names/n91115751 | |
830 | 0 | |a Penguin classics.|0 https://id.loc.gov/authorities/names/n42742214 | |
902 | |a 060714 | ||
907 | |a .b18367720 | ||
920 | |a 960522 | ||
948 | |a MARCIVE Comprehensive, in 2023.03 | ||
948 | |a MARCIVE Comp, in 2022.12 | ||
948 | |a MARCIVE August, 2017 | ||
948 | |a MARCIVE extract Aug 5, 2017 | ||
989 | |1 .i57298464|b 1200001718711|d subf|g -|m |h 21|x 2|t 0|i 14|j 4|k 100512|n 09-13-2023 20:28|o -|a AUS | ||
989 | |1 .i64669737|b 1200002535088|d suff|g -|m |h 3|x 2|t 1|i 0|j 5|k 110415|n 02-20-2024 18:42|o -|a AUS | ||
989 | |1 .i13401991x|b 3325301146600|d dhafc|g -|m |h 9|x 0|t 1|i 1|j 300|k 201210|n 03-18-2024 15:54|o -|a F AUSTEN | ||
995 | |a Loaded with m2btab.ltiac in 2023.03 | ||
995 | |a Loaded with m2btab.ltiac in 2022.12 | ||
995 | |a Loaded with m2btab.ltiac in 2017.08 | ||
995 | |a Loaded with m2btab.migrate 2020.12 | ||
998 | |a (3)su|a sub|a suf|a sus|b 060904|c m|d a|e -|f eng|g nyu|h 0|i 0 | ||
998 | |e -|f eng|a d|a su|a sub|a suf |